SoundQuest-based coloring
hsjoihs 2026-06-22
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The following list curates the colors that SoundQuest assigns to chords.
My code determines the coloring by inspecting the chord and finding out which category/categories it matches. Note that it suffers from overgeneralizing octave equivalences.
Dm
♭VII:
♭VII/I
♭VII
♭VIIΔ7
Vm:
Vm/I
Vm
Vm11
Vm7(11,-13)
Vm7
Vm9
D
♭II: ♭II7
♭IIΔ7(+11,13)
♭IIΔ7(+9)
♭IIΔ7
♯[D ]dim7:
♯Vdim7/VII
♯Vdim7
/♭VII:
♭VI/♭VII
♭VII:
♭VII
♭VII7
♭VIIdim7
III:
III
III5
III6/♯V
III7(-13)
III7(-9)/♯V
III7(-9)
III7(+9,-13)
III7(+9)
III7/♯V
III7
III7sus4
IIIaug/♭VII
IIIaug
IIIaug7
IIIm/V
IIIm/VII
IIIm
IIIm7
IIIm9
IIImΔ7
IIIø(9,omit3)
IIIø
/V:
IIm7/V
IV/V
IVmΔ7/V
V:
V(11)
V/I
V/IV
V/VII
V
V5
V6
V7(-9)
V7
V7sus4(9)
V7sus4
V9sus4(-13)
V9sus4
Vaug
Vdim7
Vm7
Vø(9,omit3)
Vsus4
VΔ7(11,-13)
VΔ7
Pm
♭III:
♭III
♭IIIdim7
♭IIIΔ7(+11)
♭IIIΔ7
♭VII:
♭VIIm7
♭VIIΔ7
Im:
Im/♭III
Im
Im11/V
Im7
ImΔ7(9)
ImΔ7
P
♯I:
♯Im7
♯IV:
♯IV@
♯IV7
♯IVm
♯IVm7(11)
♯IVm7
♯IVm9
♯IVø7
/♯IV:
Iaug/♯IV
Sm
♭II:
♭IIΔ7
♭VI:
♭VI/I
♭VI
♭VIm
♭VIΔ7(-5,13)
♭VIΔ7
IVm:
IVm/I
IVm
IVm6
IVm7
IVm9
IVmΔ7(+11,13)
IVmΔ7
S
♭II:
♭IIaug
♭II@
♭VI:
♭VIΔ7(+11,13)
♯[S ][dim7, ø]:
♯IIdim7
♯IVdim7
♯IVø
≒VIIdim7:
♯Vdim7
II:
II/I
II
II69(omit5)
II7/♯IV
II7/I
II7
II9/♯IV
II9
IIm/IV
IIm
IIm6
IIm7(9)
IIm7/IV
IIm7
IIm9
IImΔ7(+11)
IIø
IIΔ7
IIΔ9
/II:
VIm/II
IV:
IV/I
IV+Δ7/VII
IV
IV5
IV6
IV7(9,♯11)(omit3,omit5)
IV7
IV9(-5,omit3)
IVΔ7(+11)
IVΔ7/VI
IVΔ7
IVΔ9
VII:
VII5
VII7
VIIdim
VIIdim7
VIIm7(11)
VIIm7
VIIm7omit5
VIIø(9,omit3)
VIIø
T
♭III:
♭III9(+11,omit3,omit5)
♯IV:
♯IVm
♯[T ][dim7, ø]:
♯Idim7
♯Iø
IIIø
/I:
♭VII/I
I:
I(♭5)
I@
I/III
I/V
I
I5
I6
I7/♭VII
I7
I9
Iaug
IaugΔ7
Idim7
Isus2
Isus4
IΔ7
IΔ7sus4
IΔ9
/VI:
V/VI
VI:
VI
VI5
VI7(-9)
VI7/♯I
VI7
VI9(♯11,omit3,omit5)
VIaug
VIaug7
VIdim7
VIm(9,13)
VIm/♯IV
VIm/♯V
VIm/I
VIm/V
VIm
VIm6
VIm7(11)omit5
VIm7
VIm9
VImΔ7(9,11)
VImΔ7
VIø
VIsus4
VIΔ7
Chords with multiple colors
Multiple colors are assigned to the following eighteen chords. "≈" signifies some sort of inversions or changes in the voicing.
relative pitch classes colors chords
0,2,5,10 tonic + dominant-minor ♭VII/I = ♭VII/I
2,5,10 dominant + dominant-minor
♭VII
=
♭VII
2,5,9,10 pseudotonic-minor + dominant-minor
♭VIIΔ7
=
♭VIIΔ7
0,2,3,5,7,10 pseudotonic-minor + dominant-minor
Im11/V
≈
Vm7(11,-13)
2,5,7,10 dominant + dominant-minor
Vm7 =
Vm7
0,1,5,8 subdominant-minor + dominant
♭IIΔ7
=
♭IIΔ7
2,5,8,11 subdominant + dominant
VIIdim7 ≈
♯Vdim7
1,4,7,10 tonic + dominant
♯Idim7
≈
Vdim7
≈
♭VIIdim7
1,4,8,11 pseudotonic + dominant
♯Im7
≈
III6/♯V
0,4,8 tonic + dominant
Iaug
≈
IIIaug
2,4,7,10 tonic + dominant
IIIø
≈
IIIø
1,5,7,9 tonic + dominant
VIaug7
≈
Vø(9,omit3)
0,2,7 tonic + dominant
Isus2
≈
Vsus4
0,3,6,9 tonic + pseudotonic-minor + subdominant
Idim7
≈
VIdim7
≈
♭IIIdim7
=
♯IIdim7
≈
♯IVdim7
1,6,9 tonic + pseudotonic
♯IVm
=
♯IVm
0,4,6,9 tonic + pseudotonic + subdominant
VIm6
≈
♯IVø7
=
♯IVø
0,2,5,8 subdominant + subdominant-minor
IVm6
≈
IIø
1,5,9 tonic + subdominant
VIaug
≈
♭IIaug
I have intentionally excluded two chords attested in SoundQuest:
VIm/III : an inversion of
VIm
VIm(+5) : an inversion of
IV